PROPOSED PLAN & ELEVATION VIEWS // (above and below) Visions of abundance restored, where children and families gather to tend or recreate along the shoreline, while scuba divers swim amongst schools of fish, eelgrass meadows and Olympia oyster beds. These designs envision a revitalized and regenerative habitat able to support wildlife and human recreation. Digital illustrations (print size 36"x24" and 36"x17") by Heather Hayashi.
HEALING URBAN WATERS : Sausal Creek Tidal Confluence
Project Details: Collaborative Design Project
Institution Program: University of California-Berkeley, College of Environmental Design (Summer Institute InLand Certificate, Cohort 2025)
Site: Fruitvale, Oakland CA
Team: Hayashi, H., Lewis, E., Pan, S., Towle, G., Vitakis, E.
My Roles: Systems Integrator (Coastal Restoration, Food Sovereignty, Mariculture Design, Political Ecology)
Key Contributions: Concept Lead (Tidal Gardens, Wildlife Crossing Bridge), Deep-Time Research, Visual Communication (Tidal Levels Animation, Illustrations), Advocacy
// CONTEXT & RESEARCH //
The Long Arc of Healing, Context & Ethics: At the confluence where Sausal Creek meets San Francisco Bay, an estimated 26,000 residents lack safe access to blue-green space. This deeply wounded landscape is defined by centuries of genocide, land theft, and systemic erasure. These structural harms—from the attempted erasure of Ohlone lifeways and Traditional Ecological Knowledge—which guided the care for these once-abundant landscapes for millennia, to the industrial pollution and redlining of today, defined our starting point.
Deep-Time Spatial Analysis: To truly heal this site, I initiated research to understand the deepest roots of its injury. Professor Diego Romero challenged us to think across space and time, inspiring me to trace the longest arc of ecological transformations—from its origins as a seafloor over which Plesiosaurs swam, to a continent bridged by glacial sheets of ice, and the evolution of the first Redwood forests. Hope for multispecies recovery developed as maps and research revealed sacred Ohlone shell mounds alongside geological evidence. This validated ancestral knowledge and traditional oral stories of a land tended for abundance: a rich interwoven tapestry of human and non-human relatives thriving from the fishery's generous nourishment.
Food Sovereignty & Estuary Return: This deep-time research became the temporal framework that allowed our diverse approaches to coalesce into a collaborative vision of potential recovery. The framing led the team to reject modest creek daylighting in favor of a systems-level intervention: an expansive estuary return. Here, we envisioned lush shorelines tiered with halophyte plant communities that offer phytoremediation, buffer sea level rise, stabilize soils against erosion, and provide nutritious Native plant foods—like Tule, Pickleweed and Sea lavender—for sustenance. Lush submarine garden beds of Sea lettuce and rolling Seagrass meadows would provide fish and Sea otter nurseries.
Design Philosophy (Key Principles): A philosophy crystallized during my site visits: when you design for the most vulnerable—whether unhoused communities who deserve care, the smallest endangered mouse, a drowning bee, or disrupted steelhead trout—you create systems safe for all life forms to thrive. When natural systems are restored for the most sensitive, abundance becomes possible for all.
//COLLECTIVE VISION & STRATEGIC INTERVENTION //
My work translated shared goals of environmental healing and community resilience into tangible spatial interventions, transforming the infrastructure of extraction into landscapes of care and learning. Our collaborative design emerged from a simple truth: honoring the abundance that surrounds us dispels misconceptions of food insecurity and scarcity.
The Commons & Mariculture Expansion: Recognizing the commons as a living shoreline where abundance is possible through reciprocal relationships with the land—and one another. All are welcome, all belong, and no one should be allowed to go hungry. Responding to the watershed history of dominance and dispossession, I expanded the project scope into the intertidal zone, proposing submarine tidal gardens and applying principles of regenerative mariculture and coastal foodway revitalization.
Blue-Green Tidal Gardens: To transform the site's massive concrete culverts, I designed the adaptive reuse intervention: the functional, interpretive 4-Level Tidal Garden Beds. This marine system supports polyculture mariculture by re-establishing Olympia oyster-clam-eelgrass beds and fostering conditions for respectful halophyte gathering. Physically converting infrastructure of erasure into "Living Classrooms" that teach tidal rhythms, reconnecting humans with the natural cycles of their environment.
Multispecies Corridor Bridge: Motivated by an observation of a drowning bee, I conceptualized the creative reuse of the decommissioned railway bridge as a vital Multispecies Corridor, metaphorically reconnecting the 1902 separation of Alameda from Oakland in alignment with the Room to Roam Act (A.B. 1889).
Visualization as Pedagogy: Beyond project site photo documentation, hand-drawn studies, and final large-scale digital illustrations of the plan and elevations, designed and created the Trout Culvert Access Tidal Levels Animation. This visualization translated complex technical calculations of sea levels (provided by Grace Towle) into clear, accessible spatial and temporal graphics, which was essential for communicating the project’s educational mission and dynamic function to the public.
In summary, this project proposes that true community and ecological repair is inseparable from cultural revitalization, turning infrastructural violence into landscapes of reciprocal abundance and multispecies care.
EXISTING SITE PHOTOS // ( above) Site visits at different tidal levels revealed both degradation and hope within the same frame. I documented visible pollution but also discovered signs of recovery: baby fish, young sea lavender establishing and thickets of pickleweed. The ecosystem is healing, and still needs our help. (left) View at noon low tide from inside the culvert looking toward daylight, (middle) Miller-Sweeney Bridge with "Perseverance" graffiti, (right) Canadian geese and pigeons congregate around and within the culvert at high tide near dusk. Courtesy of Heather Hayashi.
EXISTING PLAN & ELEVATION VIEWS // (images above and below) A degraded urban landscape heavily paved with concrete, leaves least desirable space for pedestrians and wildlife; the view reveals an environment designed for vehicles and extractive industrial commerce over multispecies community and human-nature connection. (below) While pickleweed has been identified along the shoreline (endangered salt marsh harvest mouse habitat) and a peregrine falcon pair nest in the decommissioned railway towers, it is suspected that the steelhead trout cannot return through the culvert during low tide to complete their lifecycle. Native sea lettuce and invasive bladderwrack indicate compromised but recovering tidal ecology. Oyster drills threaten Olympia oyster restoration efforts. Digital illustrations (print size 36"x24" and 36"x17") by Heather Hayashi.
EXISTING & PROPOSED 3-SECTION ELEVATIONS // (images below) Top series depicting environmental burdens such as: oil seeping from car traffic, trash accumulating in water and along shoreline, unhoused communities seeking shelter in spaces the city has abandoned. The culvert shows minimal fish passage and no shellfish or vegetation. These sections document how decades of industrial extraction have created conditions of scarcity for all beings who call this place home. In contrast, bottom series (below) envision scenes of intergenerational families, fishing cormorants, sea otter colonies comfortable enough to bask ashore, elk, mother bears with cubs, and rich underwater biodiversity. These sections imagine what becomes possible when we design from reciprocal relationship with the land: a future where boats, housing, wildlife, and shellfish beds thrive together in restored estuarine habitat. Digital illustrations by Heather Hayashi.
HAND-SKETCHES AND DIGITAL TIDAL LEVELS ANIMATION STUDY // (image below left) To better understanding tidal barriers, the animation shows how low tide prevents fish from accessing the culvert, while king tide, high tide, and sea level variations affect habitat availability. (image below right) Hand-drawn studies of culvert anatomy, tidal cycles, eelgrass, and pickleweed informed the design of repositioned culvert pieces as tidal ecotone markers. Animation and illustrations by Heather Hayashi.
APPENDIX | Group Research & Visual Essay Selects
Site map: GIS Visualization courtesy of Eden Vitakis and Elieza Lewis.
GIS map and site images courtesy of Lewis, Towle and Vitakis.
Site specific location mapping courtesy of Lewis and Vitakis.
Map of Ohlone Shellmounds in the San Francisco Bay Area from Nels C. Nelson's 1909 publication SHELLMOUNDS OF THE SAN FRANCISCO BAY REGION.
Site layered axonometric maps visualization courtesy of Elieza Lewis.
Circulation map visualization courtesy of Elieza Lewis.
Map data survey compilation for slide visual.
Maps courtesy of SFEI (San Francisco Estuary Institute).
Maps courtesy of US Geological Survey, 2006.
Historical timeline courtesy of Elieza Lewis.
Historical timeline courtesy of Elieza Lewis.
Historical timeline courtesy of Elieza Lewis.
Presentation slide of precedents studied.
Digital illustration of proposed plan view. Heather Hayashi, 2025.